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Archive for social media

Social Media – aggregating and syndicating user generated content

Wave4Wave 4 is the latest in a series of reports from Universal McCann (ummm… the fourth one… see what they did there?) about how people are using social networks, especially in relation to aggregating digital content together that they’ve created – like vids and pics, newsfeeds and chats, etc. This reflects my experience – all my specialist online storage facilities (flickr, blip.tv) send feeds of my stuff to my Facebook profile, which in turn updates my Friendfeed, which in turn updates my blog. As far as Twitter and my delicious bookmarks go, those feeds update everything!! Sometimes I read my Tweets on Facebook before I’ve even tweeted them! [Joke].
Anyway – the report indicates:

  • nearly two-thirds of internet users around the globe have managed their personal profiles.
    71.1% have visited a friend’s social network page. In the U.S.
    60% have managed their profiles in the last six months, up nearly 50% from 43.2% the previous year.
    76% of social network members upload photos, up from 45% the previous year.
    33% of social network members upload videos, up from 16.9% the previous year.
    In the Philippines, more than 98% of active internet users* have watched video online; in Korea, Spain, and the U.S., the figure is more than 8 out of 10.
    The number of people reading blogs has started to stagnate, with 71% of active internet users reading blogs, up from only 70% the previous year.
    17% of active internet users access online content through mobile devices as well as home, work, or school computers.
    83% of active internet users view video online.
  • So that leaves cultural organisations with some decent evidence that investing in social media is worthwhile, particularly if you can be up-to-the-minute with your news and offers, and porous in your attitude to sharing content with users who are increasingly acting like new media tarts. If they’re free and easy about letting it all hang out, you should too. It all started here, remember :-)

    Yell more to sell more? Social networks and the art of conversation

    SEningSocial media tools are brilliant. Your membership grows organically as people virtually recommend you to their networks! New conversations start that you’d have never dreamed up! Members use the site and its tools in ways that you’d never thought of or expected! This has been the case with a number of social networks I’ve been involved in recently for the arts sector. AmbITion’s regional social networks and the National Theatre Wales‘ networks all have arts groups as members. And guess what? They want to use the events section to advertise their own events!!

    With the regional AmbITion networks, I hadn’t really thought about this before, and I’d just sort of assumed that we’d use that section for just our events – very simple listings that would be enhanced by all the other content you can find about AmbITion and its events elsewhere on the network site. But guess what – the arts organisations had other ideas, saw an opportunity and grabbed the potential channel to advertise events to our wonderful communities too!

    You’ll have noticed that the way we live, communicate, do business has changed. Advertising has also changed, even for the arts sector! In the “olden days” (just a few years ago) you just had to yell more to sell more. More ads in more places. Now you have to talk more to sell more. Cultivate, converse, collaborate. People now subscribe to people, not to organisations, so that means brands need to become conversations. That’s what the National Theatre Wales is trialling by using a social network platform as its initial web presence.

    But probably, we don’t want any social network to become overrun with event listings. Event listings just don’t say ENOUGH about you!

    Making use of your own blog – a common facility on social network platforms – to get talking about your organisation and what you’re up to is a more interesting way to hear about the whole of your organisation and get a feel for what you’re like and what you want to achieve with your art. Its certainly better than being just another listing… so here’s some tips for blogging about your organisation.

    1. Don’t yell more to sell more – talk to us, as a person! Stop writing about your arts group and write about the reader. Pardon? Get our attention! Write about what’s of interest and important to the reader, instead of blatantly promoting your latest show. If getting behind the scenes with your techie staff is riveting to your readers (us – it is! I like that stuff!), then make sure that content is there. If videoing the artists in rehearsal is something you’re doing, share that too! It gives us as readers more insight into what you’re up to, and will probably spark our interest enough to want to come along and see your event. See- talk more to sell more :-)

    2. Start replying to comments. People who comment on blogs are there for the conversation, so don’t just let the comments lie. Acknowledge each commenter and keep the discussion going. I just really don’t know how Hamlet and his monologues would get along on social networking. It seems that dialogue works better.

    3. Add contact information. Your readers will want to be in touch about stuff that might not be appropriate for the comments. Give them a way to do that and make it as obvious as possible.

    4. Add a photo of yourself! Even blogs about organisational stuff should be a little more personal than your typical corporate communications. A picture of your mug helps your readers feel more connected – its easier to trust a smiley face than a blank, faceless avatar. Plus, your readers’ll then know who to nobble at the interval with suggestions for future blog posts :-) .

    Arts Journal’s Doug McLennan has also blogged today on how to make the most of your social media platforms if you’re an arts organisation: read and ingest his excellent suggestions here.

    The wisdom of bloggers?

    This 2005 TED video of James Surowiecki (The Wisdom of Crowds) still packs a punch. James explores the idea that the cumulative wisdom of bloggers and the internet may be better than that of any one individual. I’ve spoken with a few cultural organisations recently who have indicated that in the main, the content about their organisation out there in the blogosphere is “lowest common denominator”/”ill informed”, etc. Surowiecki would argue that the average point made would be well made, which means that as cultural organisations we need to work harder at getting our ambassadors to talk more loudly in the groups, or heed what’s been said by listening and reacting.

    Find out what people are saying about you by setting up Google Alerts and a Technorati search.

    Yesterday I was talking with Scotland’s biggest Performing Arts companies about how social media should only be used in a manner that has integrity. This following a few examples where people had spammed Twitter streams with adverts. Social medias are all about conversations with trusted content providers – and conversations don’t/shouldn’t include broadcasted adverts. Or any blatent publicising. Sure, push out a URL to gather feedback and judge interest, but don’t spam!

    Coincidentally, US classical music blogger Greg Sandow today complained:
    “Don’t even think of trying this!
    In a new and most unfortunate development, an otherwise reputable orchestra has tried to advertise a concert by posting a comment on my blog. And also on Amanda Ameer’s, and no doubt on other blogs, too. These comments were nothing but advertising copy. I deleted the one on this blog the moment I saw it, and sent a stern e-mail to the orchestra’s marketing director.

    I hope it’s clear that this way of advertising is completely inappropriate. (And also that my outrage at this has nothing to do with the orchestra’s music.) For one thing, ArtsJournal sells ads on these blogs, and can hardly tolerate people trying to use them to advertise for free. But far beyond that, spam comments would disrupt the fine conversations we have on this blog. Nobody wants to wade through advertising to see the latest posts. I can’t quite imagine what this orchestra was thinking, but clearly they have no idea how blogs work (a milder way of saying that they don’t respect the integrity of what we do here).

    So if anyone else, God forbid, is thinking of doing this — don’t. I don’t care how terrific your music might be. Your ads, if they showed up here as comments, would just be a new kind of spam. “

    What do you think?

    Social Media Strategies

    The Indianapolis Museum of Art are so seriously Web 2.0 that they have a social media strategy as part of their communications strategy, and that the whole organisation is responsible for delivering. Their blog team is made up of representatives from all departments (conservationists and curators as well as the marketing and PR team!) which means that the whole organisation gets representation, and picks up friends and comments from a wide range of interest groups. Another web 2.0 organistion, Brooklyn Museum has just joined some of the other non-profits hosting content in the Beyond Campus area of iTunes U .

    “For us, the idea seemed like a good one because it allows us to host long-format content in a setting where people want to find it. Many of the Universities using iTunes U are hosting lectures and we’ve got a ton of artist talks and panel discussions, so this seemed like the right location to do it. In addition, we’ve always wanted to find an easy way our visitors could download our audio tour content right to their iPods and the iTunes U setup accomplishes this. Finally, all of our content is all in one place. We’ll still be uploading to YouTube and blip.tv as appropriate, but iTunes U gives us the ability to host everything in one location without file size and length limits”.

    I’ve just started to use Tweetscan to see what people are talking and commenting and questioning about right now, in 140 characters or less. I was surprised that an English Government department has a twitter identity – that it tweets on regularly! The Brooklyn Museum and 24 Hour Museum in the UK are museums who twitter.

    Finally, this brilliant presentation by Sacha Chua and picked up by Beth Kanter shows exactly what a Generation Y Social Revelutionary staff member at IBM thinks about social media strategies and how to implement them at work!

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