Consult Rudman

Hannah Rudman Gets IT for 21st C culture

Archive for national theatre wales

Envirodigital eventcasts for AmbITion

My other company, Envirodigital, for AmbITion, produced an eventcast of the keynotes at the Arts Marketing Association Digital Marketing Day on 30.11.09!

Envirodigital produced an interactive eventcasting live from Sadlers Wells! 70 people tuned in online to hear and watch keynotes Jim Richardson of Sumo Design and John McGrath of National Theatre Wales.

Check out the days buzz on Google AMAdigitalday search results and

Here’s the days Twitter stream of the #amadigitalday tag from Twitter Search.

You can watch the eventcasts still, available on demand here.

NTW: First year’s programme launch webcast

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Envirodigital client National Theatre Wales launched their programme last week via webcast!

They have also been increasingly busy establishing their wider webpresence – today they have 1058 Facebook fans, over 100 Twitter followers @NTWtweets, a YouTube Channel and of course the ever-growing membership of the online social network.

The depth of the participation and interaction and the quality digital assets are excellent: a real best practice exemplar

Yell more to sell more? Social networks and the art of conversation

SEningSocial media tools are brilliant. Your membership grows organically as people virtually recommend you to their networks! New conversations start that you’d have never dreamed up! Members use the site and its tools in ways that you’d never thought of or expected! This has been the case with a number of social networks I’ve been involved in recently for the arts sector. AmbITion’s regional social networks and the National Theatre Wales‘ networks all have arts groups as members. And guess what? They want to use the events section to advertise their own events!!

With the regional AmbITion networks, I hadn’t really thought about this before, and I’d just sort of assumed that we’d use that section for just our events – very simple listings that would be enhanced by all the other content you can find about AmbITion and its events elsewhere on the network site. But guess what – the arts organisations had other ideas, saw an opportunity and grabbed the potential channel to advertise events to our wonderful communities too!

You’ll have noticed that the way we live, communicate, do business has changed. Advertising has also changed, even for the arts sector! In the “olden days” (just a few years ago) you just had to yell more to sell more. More ads in more places. Now you have to talk more to sell more. Cultivate, converse, collaborate. People now subscribe to people, not to organisations, so that means brands need to become conversations. That’s what the National Theatre Wales is trialling by using a social network platform as its initial web presence.

But probably, we don’t want any social network to become overrun with event listings. Event listings just don’t say ENOUGH about you!

Making use of your own blog – a common facility on social network platforms – to get talking about your organisation and what you’re up to is a more interesting way to hear about the whole of your organisation and get a feel for what you’re like and what you want to achieve with your art. Its certainly better than being just another listing… so here’s some tips for blogging about your organisation.

1. Don’t yell more to sell more – talk to us, as a person! Stop writing about your arts group and write about the reader. Pardon? Get our attention! Write about what’s of interest and important to the reader, instead of blatantly promoting your latest show. If getting behind the scenes with your techie staff is riveting to your readers (us – it is! I like that stuff!), then make sure that content is there. If videoing the artists in rehearsal is something you’re doing, share that too! It gives us as readers more insight into what you’re up to, and will probably spark our interest enough to want to come along and see your event. See- talk more to sell more :-)

2. Start replying to comments. People who comment on blogs are there for the conversation, so don’t just let the comments lie. Acknowledge each commenter and keep the discussion going. I just really don’t know how Hamlet and his monologues would get along on social networking. It seems that dialogue works better.

3. Add contact information. Your readers will want to be in touch about stuff that might not be appropriate for the comments. Give them a way to do that and make it as obvious as possible.

4. Add a photo of yourself! Even blogs about organisational stuff should be a little more personal than your typical corporate communications. A picture of your mug helps your readers feel more connected – its easier to trust a smiley face than a blank, faceless avatar. Plus, your readers’ll then know who to nobble at the interval with suggestions for future blog posts :-) .

Arts Journal’s Doug McLennan has also blogged today on how to make the most of your social media platforms if you’re an arts organisation: read and ingest his excellent suggestions here.

National Theatre Wales launches – with online social network

NTWning
The new National Theatre Wales has just launched with an online presence that is a social network.
My company, Envirodigital, worked with NTW on their digital strategy, and we recruited Cardiff-based social media developers Native to bring the approach alive. The idea was to produce the new theatre company’s audience organically and through two-way discussion, rather than pushing a message out there via a more traditional brochure-style website. Said Artistic Director John McGrath last Thursday on launch night:

Tonight we are letting everyone know the ideas behind our first year of activity at National Theatre Wales. We have an office party, a bunch of volunteers – our ‘TEAM’ members – helping us out, a beautiful ‘newspaper’ developed by our designers Elfen, and of course this online community to help spread the word behind our plans.

We’ll be opening our first show in March next year, and for the whole of the year after we will be creating new theatre across Wales – with three main strands of work – CREATE, DEBATE, RESPOND.

We chose an online social networking platform as the initial online mechanism for NTW because of the potential for anyone interested in NTW to create, debate and respond online. We’ve benefitted from all the photo and video widgets that we could embed, as well as being able to offer a platform for the community to blog and build their own profiles and groups, as well as discuss issues and ideas through comments and a forum. This has really enabled the sense of creativity, debate and response being possible.

We used the ning platform, and they have already blogged and Tweeted (@ning) about NTW’s use of their platform!

@Beyongolia comments on Twitter, “Really love the fresh approach, starting with community”. So far there are 209 members, and some really interesting content and debates emerging. Join up, and join the experience of a 21st C theatre company!

For the NTW team, new skills have had to be learnt – blogging and videoing skills, as well as how to use the digital kit, and how to ensure digital connectivity wherever they are. The National Theatre Wales does not have its own venue, its a virtual organisation, so all staff have had to get grips with how to use digital kit in order to enable them to work as a team, and in order to enable them to be out there and online as part of the growing NTW community. This training had to be part of NTW’s emerging strategy, part of emerging operational policy and procedure, and part of all staff members inductions.

New attitudes and behaviours have also been adopted by the company: opening themselves up to debate means that they have to prepared for all sorts of comments, and they have to be active in the debate! This has been a challenge taken on hungrily by NTW, who want to make the process of creating theatre as transparent and porous as they can in order to ensure that anyone can find a way in. So every member of staff’s job roles have a digital media element in them.

The branding process from the very beginning has included dialogue about what an online realisation of the graphic ideas (logo, company ID, font, etc.) might look like. This has been a difference in approach, but a really important journey. Online branding has to reflect the offline graphical development, but not necessarily completely copy it. Check out Elfen’s video (the graphic designers) about how they developed the core ideas, and view online the paper developed for offline! Lesa Drysburgh – NTW’s Communications Consultant gives her overview of the birth of a new company.